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From all the promos run ahead of the tenth episode it was painted in ten foot high letters that a major character was about to die, and the entire episode quickly degenerated into the visual equivalent of Russian roulette. Who would it be? Each threat was presented and then dismissed, and some even came back after they'd been resolved. By far the silliest of these was the Harrison subplot, which began with him being warned about the treadmill. What is it with writers and young children, that the only things they can imagine to do with them involve them ignoring warnings? The writers' defence, if it is one, is that in this week just about every character did something monumentally stupid, some at a level that made Harrison's lack of imagination seem modest.
The opening scene where Vogel has breakfast with Daniel outlines just how much she's lost the plot in appreciating how dangerous he is. Thankfully she's given a quick reminder that he's a sociopath whose previous means of communication was to scoop out people's brains and send them gift-wrapped, which she then entirely ignores.
Meanwhile back at Debra's beach apartment, Hannah is trying that unique disguise technique of not changing anything about her appearance, and living in a building with plenty of windows located somewhere many people pass each day. She's not entirely at fault though, because Dexter is talking about Argentina, like there's a world-renowned retirement home for serial killers in that place, and he can just walk away from the utter chaos he and she have created in Miami. There was always something childlike about Dexter's persona, and it's this bit that seems to be firmly in the driving seat now.
It's a shame about that US Marshall, the one Dexter can't be bothered to pay attention to, and whom he didn't check had left the area. Then again we all knew he wasn't leaving after one episode, because they hired a known actor to play him. When you combine him with Vogel's inability to lie convincingly to anyone important, you've left with a recipe that doesn't get served in Argentina or even south of Key West. Actually, on that last point she's convincing enough to lie to Dexter on numerous occasions, but confronted by Daniel or Tom, she's abysmal. Why?
Debra isn't any help either. Sending Harrison alone back to the house was a huge hint that there was someone else waiting there for him when the Marshall turned up. She's confused by the dumbest character in the show, Joey, and expected Elway to give her a hug when she resigned! These things are annoying and distracting, but my largest complaint isn't any of this, it's how weak Daniel/Oliver is as Dexter's final Nemesis. Let's be frank, he's not even Doakes-dangerous on the example he's presented so far. Compared with some of the other killers he's come up against, he wouldn't last ten seconds against them, and his existence in this show has to be bolstered by Dexter's inability to find him.
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Episode Name:Monkey In A Box
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Air date:9/15/2013
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Summary:Dexter is torn between fleeing the country with Hannah and Harrison, and taking Saxon out once and for all.
From all the promos run ahead of the tenth episode it was painted in ten foot high letters that a major character was about to die, and the entire episode quickly degenerated into the visual equivalent of Russian roulette. Who would it be? Each threat was presented and then dismissed, and some even came back after they'd been resolved. By far the silliest of these was the Harrison subplot, which began with him being warned about the treadmill. What is it with writers and young children, that the only things they can imagine to do with them involve them ignoring warnings? The writers' defence, if it is one, is that in this week just about every character did something monumentally stupid, some at a level that made Harrison's lack of imagination seem modest.
The opening scene where Vogel has breakfast with Daniel outlines just how much she's lost the plot in appreciating how dangerous he is. Thankfully she's given a quick reminder that he's a sociopath whose previous means of communication was to scoop out people's brains and send them gift-wrapped, which she then entirely ignores.
Meanwhile back at Debra's beach apartment, Hannah is trying that unique disguise technique of not changing anything about her appearance, and living in a building with plenty of windows located somewhere many people pass each day. She's not entirely at fault though, because Dexter is talking about Argentina, like there's a world-renowned retirement home for serial killers in that place, and he can just walk away from the utter chaos he and she have created in Miami. There was always something childlike about Dexter's persona, and it's this bit that seems to be firmly in the driving seat now.
It's a shame about that US Marshall, the one Dexter can't be bothered to pay attention to, and whom he didn't check had left the area. Then again we all knew he wasn't leaving after one episode, because they hired a known actor to play him. When you combine him with Vogel's inability to lie convincingly to anyone important, you've left with a recipe that doesn't get served in Argentina or even south of Key West. Actually, on that last point she's convincing enough to lie to Dexter on numerous occasions, but confronted by Daniel or Tom, she's abysmal. Why?
Debra isn't any help either. Sending Harrison alone back to the house was a huge hint that there was someone else waiting there for him when the Marshall turned up. She's confused by the dumbest character in the show, Joey, and expected Elway to give her a hug when she resigned! These things are annoying and distracting, but my largest complaint isn't any of this, it's how weak Daniel/Oliver is as Dexter's final Nemesis. Let's be frank, he's not even Doakes-dangerous on the example he's presented so far. Compared with some of the other killers he's come up against, he wouldn't last ten seconds against them, and his existence in this show has to be bolstered by Dexter's inability to find him.
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