!!!S09E01!!! - Watch Bones Season 9 Episode 1 Free Online Streaming TV

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• Episode Name:
  The Secrets in the Proposal
• Air date:
  9/16/2013
• Summary:
  The Jeffersonian team investigates the murder of Jason Siedel, an accountant for the state department, whose remains were found in a hotel air conditioning unit. When Booth finds his old army buddy and CIA agent, Danny Beck, clearing away evidence at the victim's condo, he begins to realize that Siedel's murder could yield more suspects than the team had anticipated. Booth also seeks out Aldo Clemens, his friend and an ex-priest from their military days together, to get advice on his relationship with Brennan, now that Pelant has put a wedge between them. Meanwhile, Brennan must decide whether to have faith in Booth or to end her relationship with him.

"Bones" season 9 premieres in just a couple of weeks, and on Tuesday, Sept. 3, FOX made episode 1, "The Secrets in the Proposal," available to the press, and we very much enjoyed it. It's a solid premiere. So what's coming up next after that big finale?

First of all, a quick recap. When "Bones" season 8 ended, Pelant did his evil genius thing and intervened after Brennan had proposed to Booth. The couple was able to be happy for just a short time before Booth had to break off their engagement because Pelant threatened to kill innocent people if he didn't. So what's coming up next? Here are 10 teasers about the season 9 premiere

In the first "Bones" season 9 episode, the team investigates the murder of Jason Siedel, an accountant for the statement department after his remains are found in a hotel air conditioner. That's where guest star Freddie Prinze, Jr. comes in. He plays Danny Beck, Booth's (David Boreanaz) old army buddy and CIA agent, who will be clearing away evidence at Siedel's condo, leading him to realize that this murder may be more complicated and there may be more suspects than they anticipated. Also, Patricia Belcher is back as AUSA Caroline Julian, which is always a good thing.

The other old friend of Booth's showing up in this episode is Aldo Clemens (Mather Zickel), an ex-priest from their military days together. Booth seeks him out for advice on his relationship with Brennan (Emily Deschanel) after Pelant (Andrew Leeds) forced him to turn down her proposal. Speaking of, Brennan has to decide whether to have faith in Booth or to end their relationship. Since we know there is a wedding coming up, we're not too worried.

The season 9 premiere "The Secrets in the Proposal" photos in the slideshow offer a look at Booth and Brennan working the case as well as Freddie Prinze, Jr. in action. Plus, check out Booth at Aldo's bar and the Jeffersonian team at the crime scene.

!!!S04E12!!! - Watch Good Luck Charlie Season 4 Episode 12 Free Online Streaming TV

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• Episode Name:
  Bug Prom
• Air date:
  9/15/2013
• Summary:
  Bob convinces Amy to join him for the Denver Pest Control Association's annual dinner and dance, while Beau decides to invite Teddy to be his date at the same event. Meanwhile, Gabe scores tickets to the first showing of the hottest new movie in town for his upcoming date. But when his date cancels, Mrs. Dabney offers to step in and take her place.

GOOD LUCK CHARLIE centers on the Duncans, an all-American family of five whose comfortable routine is upset with the unexpected arrival of baby Charlotte (aka “Charlie,” Mia Talerico). With mom Amy (Leigh-Allyn Baker) headed back to work and dad Bob (Eric Allan Kramer) busy with his pest-control business, it’s up to teenage Teddy (Bridgit Mendler) and PJ (Jason Dolley) to pitch in caring for their little sister, all the while maintaining their own busy social lives. Both are fairly good sports about it, but 10-year-old Gabe (Bradley Steven Perry) isn’t so understanding, seeing as Charlie’s the reason he’s been relegated to the dreaded status of a middle child.

Parents need to know that there’s little cause for concern in this lighthearted sitcom about a family coping with the challenges that accompany a new (and unexpected) baby. The show draws humor from standard family fare like older siblings’ lukewarm responses to a new baby, and parents’ difficulties managing the needs of a large family. Apart from some very mild flirting (two of the characters are teens, after all), there’s nothing iffy in this funny spin on modern family life.

A successful sitcom is one that resonates with viewers’ own experiences, and family-centered shows like this one face the challenge of appealing to a diverse array of family dynamics. When it comes to the modern American household, one size definitely does not fit all, and honing in on this viewer niche can be tricky in today’s society.

Fortunately, though, Good Luck Charlie’s content is well rounded enough that there’s something for everyone to enjoy (though viewers expecting any edginess will be disappointed). Whether it’s a seasoned mom’s uncertainties over returning to the work force or a tween’s reaction to being overshadowed by a new sibling, every member of the family will find something to relate to -- and get a laugh out of the show’s take on the ups and downs of family life.


"Good Luck Charlie," a new Disney Channel sitcom premiering Sunday, differs from other Disney Channel sitcoms in that, although the focus is reliably on the teen and preteen members of its cast, it is a family comedy. That is to say, the adults are less marginal to the action than they usually are in these things, though no less confused and ineffectual. In t(w)een TV, the kids always take care of the kids.

That notion is built into the very premise of the show. Because Dad and Mom (Eric Allan Kramer and Leigh-Allyn Baker) have to, or want to, work -- he's in pest control, she's a night nurse -- their three older children are enlisted to help look after the nearly brand-new one, 9-month-old Charlie (Mia Talerico), a "surprise." So while there is no lack of typical teencom goofing and flirting, the core story is all about responsibility.

!!!S08E11!!! - Watch Dexter Season 8 Episode 11 Free Online Streaming TV

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• Episode Name:
  Monkey In A Box
• Air date:
  9/15/2013
• Summary:
  Dexter is torn between fleeing the country with Hannah and Harrison, and taking Saxon out once and for all.

From all the promos run ahead of the tenth episode it was painted in ten foot high letters that a major character was about to die, and the entire episode quickly degenerated into the visual equivalent of Russian roulette. Who would it be? Each threat was presented and then dismissed, and some even came back after they'd been resolved. By far the silliest of these was the Harrison subplot, which began with him being warned about the treadmill. What is it with writers and young children, that the only things they can imagine to do with them involve them ignoring warnings? The writers' defence, if it is one, is that in this week just about every character did something monumentally stupid, some at a level that made Harrison's lack of imagination seem modest.
The opening scene where Vogel has breakfast with Daniel outlines just how much she's lost the plot in appreciating how dangerous he is. Thankfully she's given a quick reminder that he's a sociopath whose previous means of communication was to scoop out people's brains and send them gift-wrapped, which she then entirely ignores.
Meanwhile back at Debra's beach apartment, Hannah is trying that unique disguise technique of not changing anything about her appearance, and living in a building with plenty of windows located somewhere many people pass each day. She's not entirely at fault though, because Dexter is talking about Argentina, like there's a world-renowned retirement home for serial killers in that place, and he can just walk away from the utter chaos he and she have created in Miami. There was always something childlike about Dexter's persona, and it's this bit that seems to be firmly in the driving seat now.
It's a shame about that US Marshall, the one Dexter can't be bothered to pay attention to, and whom he didn't check had left the area. Then again we all knew he wasn't leaving after one episode, because they hired a known actor to play him. When you combine him with Vogel's inability to lie convincingly to anyone important, you've left with a recipe that doesn't get served in Argentina or even south of Key West. Actually, on that last point she's convincing enough to lie to Dexter on numerous occasions, but confronted by Daniel or Tom, she's abysmal. Why?
Debra isn't any help either. Sending Harrison alone back to the house was a huge hint that there was someone else waiting there for him when the Marshall turned up. She's confused by the dumbest character in the show, Joey, and expected Elway to give her a hug when she resigned! These things are annoying and distracting, but my largest complaint isn't any of this, it's how weak Daniel/Oliver is as Dexter's final Nemesis. Let's be frank, he's not even Doakes-dangerous on the example he's presented so far. Compared with some of the other killers he's come up against, he wouldn't last ten seconds against them, and his existence in this show has to be bolstered by Dexter's inability to find him.

!!!S05E14!!! - Watch Breaking Bad Season 5 Episode 14 Free Online Streaming TV

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• Episode Name:
  Ozymandias
• Air date:
  9/15/2013
• Summary:
  Everyone copes with radically changed circumstances.

It's not a deafening silence, nor a vacuum. Rather, it's inverted; a cup, not a bell. I'm talking about a silence that isn't defined by the lack of sound, but by the awful inevitability of the noise yet to come. It's silence like a threat, a marker that's primed to come due. It's not the silence of the grave. It's the ominous stillness that comes just before.

Director Michelle MacLaren is the John Cage of this malevolent silence, able to wield it as precisely as a pointillist with a paintbrush. And with "To'hajiilee," the final episode of Breaking Bad she'll ever direct, she has painted her masterpiece. Under the unblinking eye of her relentless camera, this was television not as entertainment but as endurance. It was agonizing, nauseating, unbearable. I loved every minute but hated every second. I couldn't wait for it to be over but I never wanted it to end. And I especially never wanted it to end like that.

Still, for a moment, let's focus not on the noise of that ending — of neo-Nazi bullets thunk-thunk-thunking into the sides of cars, of Walter White's shrill, impotent cries, of hope leaking out of this series like air from a punctured balloon — but on the silence. It descended on the episode at around the three-quarter mark, when Walt arrived at the site of his buried treasure, a pathetic pirate in a cerulean button-up. During the drag race out of town, he was as manic as we've ever seen him, as if he'd finally made up for all those years of not sampling his own product. Yet when he cut the engine, the piston-drums of the soundtrack began to fade, replaced by the banal donging of the Chrysler. Walt stepped outside and the noise washed away altogether. He was alone. There was nothing there. Just the soft scuffles of his own feet on desert sand, our own hearts, like his, jackhammering in our throats.

Are there birds? Maybe a few. I'd like to think they're buzzards; better yet a murder of crows. But watch the scene again and it's almost as if you can't hear them; they're temporary interruptions of that awful, awful silence. It's so still out there on the Indian reservation. It's the type of place where only two types of things can happen: terrible things and nothing. I think we all knew which to expect, even before the arrival of Hank's car.

About that: two thoughts. One, Walt is a monster but it's unhelpful and reductive to call him evil. Contrary to what Jesse believes, Walt isn't actually the devil — he's just willing to shake hands with one to consummate a business deal. Ultimately what blinds Walter White is the same thing that dooms him, not to mention the very thing that makes Breaking Bad so fascinating: his own unceasing, unquestioning commitment to himself. (Cue the other W.W.!) In those sick, ticking moments of indecision as Uncle Jack breathed into the phone and Hank yelled into the wind, we saw Walter come up against his own red line: He won't kill family. (Jesse's a gray area, though. He's "like" family. So.)

This is admirable, I guess. And consistent. Destroying people's lives but not actually ending them seems like a tough moral two-step to me but, then again, I've never had even a single barrel full of cash. (It's the same distinction, I think, between killing someone and killing someone with "no suffering, no fear." I mean, tell yourself what you want, but you're still killing someone.) So bully for Walt for calling off the Nazis — though I don't think for a minute any of us believed they were so easily mollified. History has demonstrated that they aren't the type of people who like to take "no" for an answer. But what I was saying was this: Just because he tried to do the right thing by Hank when it counted, it doesn't mean Walt's not still a monster. After all, Godzilla's ultimate intentions are kind of secondary. He can still knock over half of Tokyo just by turning around.